![]() In particular, the New York-based internet artist looks to explore the performance of gender and the role that the technical infrastructure of the web plays on its construction, as much as the emerging social space around it.īelow, Holland talks to Triantafyllidis about his intentions with Role Play, the so-called ‘queering’ of Ork aesthetics and the move from VR into AR. Identity is a long-time interest of Triantafyllidis’ partner in conversation, artist Faith Holland. My old body felt so uncomfortable and saggy. There’s a dynamic tension there, where everything is partial, made temporarily complete only through the presence of the viewer. Using the large screens mounted on rollers, visitors can track about the space to find a brawny Ork with long blue hair and pointy tusks - Triantafyllidis’ avatar - busy at work on one of the paintings. “Check out my new studio… Finally, I have enough room to make things,” says a distorted voice. Upon entering, visitors are presented with a seemingly still room - the scene of the artist’s studio filled with half-made objects and paintings - however it becomes quickly apparent that someone else is there. Image courtesy the artist and Meredith Rosen Gallery, New York. Again playing with our point of view by producing an alternate reality within the gallery space that carries on regardless.įor Role Play, Triantafyllidis extends his interest in the physical/virtual but this time to explore the concept of labour - on one hand the significant effort that goes into the construction of digital objects and on the other (as the title of the show suggests), the performative identity of The Artist. Then in ‘Staphyloculus (or the paradox of site specificity of virtual realities)’ (2017) he created a one-person VR experience depicting the outbreak of a mysterious virus called Polywobbly Fervenitis. Making a purposefully random algorithm visible, it plays with our expectations and the human desire to find patterns and place meaning on how these objects relate. For ‘How to Everything’ in 2016, he made a computer generated animation where objects hypnotically emerge from and collapse into one another. Image courtesy the artist and Meredith Rosen Gallery, New York.Īn architecture graduate turned artist, Triantafyllidis works with machine logic and interactive spatial constructions to evoke the contemporary experience of the virtual and question the relationship between human and machine. Go in with an open mind, allow yourself to be silly, let go of how "unrealistic" it is, and you'll be in for a treat.‘I’m interested in bringing objects across this physical-virtual divide and seeing how they mutate each time they are re-created’, Theo Triantafyllidis tells fellow artist Faith Holland as they sit down to discuss his recent solo show, Role Play which ran from April 21 to Jat New York’s Meredith Rosen Gallery. #Club marian roleplay movieI know I haven't talked much about the actual movie but bottom line: it's HILARIOUS. ![]() Even my husband enjoyed himself and found many of the scenes very entertaining. I'm talking laugh out loud, bursting, crying, snort kind of laughing. I honestly have not laughed that hard in a film in a long time. Lady Amelia Heartwright, Colonel Andrews, Captain George East all are so ridiculous and entertaining. ![]() Miss Elizabeth Charming is hysterical! I really enjoyed Jennifer Coolidge's performance, she really did her usual thing and it was wonderful. We had a great audience, everyone was cracking up, loud uproars in all the scenes, it was hilarious. The theater possibly has a lot to do with the tone. The critics and everyone leaving a low score have no sense of humor! It's over the top, exaggerated, hilarious, ridiculous, it's supposed to be that way! None of it is believable and once you allow yourself to enter the world of Austenland, you'll enjoy the film. It turns out I didn't need to lower my expectations, this film totally went over and above. Going into the film, I knew it had received a low score thus lowering my expectations greatly so I wasn't expecting much. ![]() Wattlesbrook (Jane Seymour) holding a fake lamb and talking about Austenland, which I think greatly sets the tone for what type of movie this is going to be. I am not sure why this film has received such low reviews. ![]()
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